Clémence de Grandval
French Vocalist, Pianist and Composer
Born: 1828 (Pays de la Loire, France)
Died: 1907 (Paris, France)
BIOGRAPHY
Born in 1830, Clémence de Grandval began her musical studies at the age of six. She developed an early interest in composition and, at the age of twelve, began studying composition under Friedrich Flotow. Her earliest compositions were written during her teenage years.
Grandval continued to pursue composition following her marriage. Her family’s considerable financial resources enabled her to maintain her musical career, contributing to her growing prominence and recognition. She subsequently studied composition with Camille Saint-Saëns and piano with Frédéric Chopin.
Throughout her career, Grandval composed under several pseudonyms, including Caroline Blangy, Clémence Valgrand, Maria Felicita de Reiset, and Maria Reiset de Tesier. She was highly regarded by prominent French musicians of her time, including Charles Gounod and Pauline Viardot, and became the dedicatee of numerous works by her contemporaries. Her compositional output encompassed a wide range of genres, including chamber music, songs, operas, choral works, and symphonies.
Grandval received several distinctions in recognition of her compositional achievements. She was awarded the Prix Chartier for chamber music and the Carter Prize in 1881 and 1890, respectively, by the Paris Conservatoire. She was also one of the most prominent composers associated with the Société Nationale de Musique, an organization dedicated to promoting and providing performance opportunities for emerging French composers. Grandval remained active as a composer until her death in 1907.
Sonata for Piano and Violin, Op. 8 (~1851)
SONATA INFORMATION
Grandval’s Violin Sonata in G minor, Op. 8 was one of her earlier works, thought the exact date is unknown. This sonata was dedicated to Adolphe Adam, a French opera and ballet composer.
I. Allegro (~8 min)
II. Scherzo, Allegro vivace (~5 min)
III. Andante con moto (~6 min)
IV. Rondo, Allegretto grazioso (~7 min)
“Throughout the sonata, the operatic style is manifest in its long, lyric melodies, high-energy rhythmic drive, and frequent changes of character.” -Kobayashi and Gray, editors of the Hildegard Edition
SCORES
1. Manuscript: Unknown
2. First Edition: University of Michigan Library, Worldcat, BnF*, IMSLP *
3. Second Edition: Hildegard, SheetMusicPlus, Worldcat, Library of Congress
*Violin part only
RECORDINGS
Laura Kobayashi and Susan Keith Gray: YouTube, Naxos, Alexander Street
Sources
Lavignac, A., & de la Laurencie , L. (1914). In Encyclopédie de la musique et dictionnaire du conservatoire. Ch. Delagrave. https://archive.org/details/pt1encyclopdie01lavi.\
Tsou, Judy. “Grandval [Née De Reiset], (Félicie) Clémence De, Vicomtesse De.” Oxford Music Online, 2001. https://doi.org/10.1093/gmo/9781561592630.article.45500.
Kobayashi, L., & Keith Gray, S. Sonata in G minor. Hildegard Publishing Company. https://store.hildegard.com/index.php?main_page=product_info&products_id=350.
Tsou, “Grandval [Née De Reiset], (Félicie) Clémence De, Vicomtesse De.”