Ethel Barns
English Violinist and Composer
Born: 1874 (London, England)
Died: 1948 (Maidenhead, England)
BIOGRAPHY
Ethel Barns was admitted to the Royal Academy of Music in London at the age of thirteen, where she pursued studies in violin, composition, and piano. Her principal teachers included Emilie Sauret in violin, Ebenezer Prout in composition, and Frederick Westlake in piano. Barns demonstrated exceptional ability as a violinist and made her performance debut with a concerto by Louis Spohr.
By the age of seventeen, Barns had established a reputation as both a performer and composer. In 1891, she composed and performed her Romance for Violin and Piano, marking an early example of her work as both composer and interpreter. She subsequently began presenting her compositions regularly at concert venues throughout London, establishing a career that combined performance with composition.
Barns married pianist Charles Phillips, with whom she established the Barns-Phillips Chamber Concerts. These performances provided an important platform for Barns to present her own compositions alongside works from the broader chamber repertoire. Her compositional output focused primarily on the violin, although she also composed works for solo piano and orchestra. Among her most substantial contributions are five violin sonatas, two of which have survived and remain available today.
During the later part of her career, Barns became an active and distinguished member of the Society of Women Musicians, an organization founded in 1911 to support and promote women working in the musical profession. She continued both composing and performing into the 1920s, contributing to the growing visibility of women as professional composers and instrumentalists in Britain.
Sonata No. 2 in A Major (1904)
SONATA INFORMATION
Barns premiered both her second and fourth sonatas with her husband, Charles Phillips. Both sonatas were well-reviewed by critics of the time. Barns’ second sonata was also performed by Joseph Joachim.
I. Adagio (~5 min)
II. Scherzo (~3 min)
III. Presto ma non troppo (~4 min)
This work has been described as “a typically tempestuous and lyrical work with rich, sonorous piano harmonies and a difficult but always violinistic solo part.”⁶
SCORES
1. Manuscript Location: Unknown
2. First Edition (1904): British Library
RECORDINGS
Nancy Schechter and Cary Lewis: YouTube
Sonata No. 4 in G Minor for Violin and Piano, Op. 24 (1910)
SONATA INFORMATION
This work was premiered by Barns and Phillips in 1910.
I. Allegretto ma molto agiatato (~9 min)
II. Elegie: Larghetto (~6 min)
III. Allegro enercico (~8 min)
“The slow second movement, Elegie, opens with an atmostphieric, chromatic progression of fourths and fifths in the piano which leads into a beautifully languid violin melody.”⁷
SCORES
1. Manuscript Location: Unknown
2. First Edition: British Library
RECORDINGS
Nancy Schechter and Cary Lewis: YouTube
Sources
Tsou, Judy, Rose-Marie Johnson, and Heidi M. Boenke. “Violin Music by Women Composers: A Bio-Bibliographical Guide.” Music Library Association,1990. https://doi.org/10.2307/941984.
Fuller, Sophie. Pandora Guide to Women Composers: Britain and the United States 1629-Present. Pandora, 1995.
Fuller, Sophie. "Barns, Ethel." Grove Music Online. 2001. https://www.oxfordmusiconline.com.ezproxy1.lib.asu.edu/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000045629.
Ibid.
Fuller, Pandora Guide to Women Composers.
Ibid.
Ibid.